A Contradiction in Hume’s Aesthetics?
By Hume’s lights, any inquiry into aesthetics operates under the pretense that that any r
ule or standard associated with taste is ascertained solely by experience and not by demonstration or reasoning a priori. In “Of the Standard of Taste,” Hume asserts this thesis rather than proves it (see Paragraphs 9 and 10). Perhaps for some, Hume’s suggestion may strike them as intuitively correct and without need of conceptual rigor or proof. However, a closer look reveals that Hume’s aesthetics is subservient to epistemological commitments developed and expounded independently of “Of the Standard of Taste,” and it is to these commitments that one ought to direct one’s attention in order to determine whether the premise of Hume’s aesthetics holds up under philosophical scrutiny.
Early in his Enquiry Concerning Human Understanding, Hume draws what is minimally a conceptual distinction between two types of knowledge. On the hand are what he calls “relationships of ideas,” which include mathematics and any other sort of thinking whereby propositions are intuitively or demonstrably discovered. On the other hand are the broad and seemingly boundless “matters of fact,” which are conclusions and assertions whose arrival necessitates moving beyond the operation of thought, as well as beyond experience: “All reasonings concerning matter of fact seem to be based on the relation of Cause and Effect. By means of that relation alone we can beyond the evidence of our memory and sense” (ECHU 22).
Hume’s criticism of the customary affirmation of the a priori rule of causality is well known and needs only fleeting mention here. For Hume, the relation of cause and effect arises out of experience and habitual expectation rather than out of any a priori reasoning. He rejects the notion that the mind can ever discover the effect in a given cause. And so, he reasons, the mind must “invent or imagine” each scenario of a particular and peculiar effect proceeding by necessity from a cause. Now, Hume does not deny that causality is something real; rather, he holds that the mind cannot discover this principle intuitively or demonstrably and extend it to any future event. Read more »
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hat anxiety both dolorous and delicious contained in every moment” of the present age.[1] If the essential and naked being—or not yet being—of humanity has been laid bare, are all people conscious of the fragility of life? In the context of a heightened vital altitude, are we all going to now choose to take up the task of life in inventing projects of being? Unfortunately, such optimism will inevitably lead to disappointment, for the present age is only now being ushered in. Just as the modern epoch began with the revolutionary insights of an minority, so too will our present age begin with a select minority long before vital awareness trickles down to all. In each generation, a “constant interval” separates the minority from masses.[2]
nd direction.”[1] I find that I have been “flung” into my life without any prior consent on my part,[2] and here I discover that my live is not coextensive with “I.” I am always within a particular surrounding, an environment, a circumstance. Life reveals to me that “I” am never without my environment—yo soy yo y mi circumstancia. “I” am only a single ingredient within the scope of life. “I live, and, in living, I am in the surrounding circumstance, which is not I. The reality of my being, my ‘I,’ is, then, secondary to the integral reality which is my life; I find the former—the reality of my ‘I’—in the latter, the living reality. I and circumstance both form part of my life.”[3] Before me always lie possibilities, and among these possibilities I possess a great range of freedom. However, my freedom is not limitless. Indeed, my liberty of choice transverses only the ground within the borderlands of my environment. I can never escape from my environment; it remains a constant within my life along with my “I.” In his groundbreaking La Rebelión de las Masas, Ortega succinctly captures this reality: “Our circumstances—these possibilities—form the portion of life given us, imposed on us. This constitutes what we call the world. Life does not choose its own world, it finds itself, to start with, in a world determined and unchangeable: the world of the present.”[4] To borrow Husserlian terminology, “I” and my circumstancia are moments to one another, dependent upon one another as they comprise the whole, which is my life. My awareness and conceptualization of my “I” comes only after having already been living the relationship with my circumstancia or environment.
The modern age appeared under what Ortega calls a generación, which is a general term in his philosophy that denotes a peculiar social reality marked by a decisive sort of sensibility. The generación of modernity was determined by the ascendency of physico-mathematical reason, first among its intellectual minority and later among the vast multitude of Europeans, and lives now according to what can loosely be described as “our convictions.”[1] What Ortega wants to declare is that the sensibility of his own generation is markedly distinct from that of modernity, and in so doing he brings to light what had already been dimly present: the European of his age is in a fundamental state of crisis, of disorientation. Ortega, in his typically personal, narrative style, describes the onset of the crisis:
ing on themes philosophical, political, aesthetic and cultural, Ortega was perhaps the first modern Spanish thinker whose ideas made up a true export. Uniquely original, masterfully didactic and unusually perspicuous, Ortega is a genuinely enjoyable read. However, he has been eclipsed in existentialism by the likes of Sartre, Heidegger and Marcel, so few, even among the philosophy crowds, are aware of his thought. This is unfortunate, for his ideas under-gird a large part of twentieth century philosophy. Perhaps no other idea of his is as compelling, insightful and inspiring as his idea of life, which is the foundation of every tenet of his philosophy.